Clash Of The Titans - Official Trailer [HD]

I think I prefer the original, but this does look like it might be fun.

Hey, somebody's favorite line: "Release the kraken!!"

Goodbye, Doctor. We'll miss you!

It has been said that your ‘favorite’ Doctor Who (DW) is the one that appeared in the first episodes you see. In my case that would have been Peter Cushing in the two DW movies based on the television show. Not hardly! As much as I liked Cushing as an actor his Doctor wasn’t particularly likable, as I recall. I saw those films in the theatre when I was a kid, probably as part of a double-feature with some other British horror/SF film. The Daleks looked even sillier up on the big screen, as you can imagine. It would be interesting to see them again, to see if my opinion is any different.

My ‘second’ Doctor was Jon Pertwee who starred in the first TV episodes I ever saw. This would have been in the mid-70s when his shows were being broadcast on local PBS stations. I only remember seeing a few and this older guy driving around in an old automobile didn’t really appeal to me. I thought it was a bad James Bond rip-off to be honest. It wasn’t until I was working in Westport, CT and one of the PBS stations began showing the DW program featuring Tom Baker that I finally became a fan. To me Baker was ‘my Doctor’ and the one to whom all others had to measure up. While I liked both Peter Davison and Colin Baker, I only recall seeing one installment with Sylvester McCoy so didn’t really form any sort of opinion. To be honest, I think I sort of liked the TV movie featuring Paul McGann, in his only appearance as the Eighth Doctor. An attempt to make the show more appealing to American audiences I think, but not enough apparently as the show remained in limbo for a few more years.

When BBC America began showing the new episodes, starring Christopher Eccleston I caught a couple of shows, after hearing some good things from friends. I liked Eccleston, possibly because his somewhat goofy manner reminded me of Tom Baker at his most whimsical. I was just getting into the DW habit again when another regeneration occurred and David Tennant became the Tenth Doctor. I think I liked him from the very beginning. You also could tell, from his actions in “Parting of the Ways” and the special “Christmas Invasion”. Here was a darker, Time Lord. The last of his race and although he could be light-hearted he would also take lives if it felt necessary for the ‘greater good’. As he says in one episode, “No second chances. That’s the kind of man I am.” Brrr….

Throughout his stint as The Doctor, Tennant made his incarnation into a DW we had never seen before. He was in a way ‘more human’, if you will, yet also able to portray a very superior and alien personality. The final three episodes, “Waters of Mars” and the two-part “The End of Time”, will probably go down as some of the best DW episodes in a series which has had a number of very, good ones. In both we see Tenant’s Doctor revealing a side of himself that is almost a reflection of The Master at his most smug. It’s pretty scary and revealing, as well. Sadly, we also knew from hints dropped throughout the past season (as well as stories on the Internet) that the next regeneration was not too far off.

If you haven’t watched the final two-part story, you really should. Even if you are not a big DW fan I think there is enough action and suspense to keep you interested. I’m going to really miss David Tennant and the new Doctor has a long way to go to even come close to matching what the last two Doctors (and the previous eight, to be honest) brought to the series.

Popcorn for Two: a review of AVATAR (with some spoilers)

I have to admit that I wasn’t sure if I wanted to shell out the money for AVATAR initially. There was plenty of buzz last year at San Diego about the film and there were several props available to ogle. Still a movie about a bunch of computer animated blue elves really didn’t appeal to me. Even the initial trailer didn’t get me excited. Of course, the weeks leading up to the release were filled with appearances of the actors on talk shows and then lots of pretty decent reviews online & in print. I went from ‘on the fence’ to deciding to see it if/when I had the chance. This past Sunday, Donna & I were planning on going to Kristina’s to help her take down her X-mas tree. While on the phone with Donna she asked if I’d be interested in going to the theatre with her to see it. Sure, why not?

We considered seeing the film in IMAX, but there was a long line and there was an earlier showing in 3-D, so we decided to go for that. After getting our tickets and the 3-D glasses we dropped by a Stonecold Creamery for ice-cream, since we had some time to kill. We were still were able to get into the theatre early enough to get decent seats (the theatre was almost filled by the time previews began) and buy popcorn. There were several previews and then a screen appeared telling us to put on our glasses. At that point we saw a trailer for Tim Burton’s ALICE IN WONDERLAND in 3-D, which was pretty cool!

I’m sure I don’t need to tell you much about the film, since you’ve probably read and seen enough about it already to make a decision of your own. Bottom line was that The Child and I both enjoyed the movie, although whether or not it changes Hollywood forever (as some seem to think) remains to be seen. It certainly blew us away when it came to visual story-telling, which given it was James Cameron, should not come as a complete surprise. You really do have to see this movie in 3-D, if not IMAX, to really appreciate what Cameron & Co. have done here. After the first few minutes of getting used to the glasses you will probably get so into the movie that you forget you have them on. Hell, even having to deal with wearing the 3-D specs over my own glasses didn’t bother me after a while. I have never experienced such realistic 3-D. There are some scenes where you almost find yourself swatting at the insects flying about in the forest. Also, if you have a problem with heights, watch out! Awesome!

The story itself could not be more basic: A large corporation based on Earth is mining a rare metal found only on the planet Pandora. The U.S. government has sent along a large contingent of Marines to ensure the safety of the operation and to keep the local inhabitants, called the Na’vi, from interfering. In an attempt to get this co-operation a group of scientists headed by Dr. Grace Augustine (Sigourney Weaver) has created synthetic beings which resemble the Na’vi. A human is able to transfer their consciousness into the creations, called ‘avatars’, which allows them to survive in the poisonous atmosphere of the planet. When his brother dies in an accident, paraplegic Marine Jake Sully (Sam Worthington) is able to take his place in the avatar program, as they share the same genetic code. Dr. Augustine is trying to learn the ways of the natives and discover what the corporation can offer them in return for rights to bulldoze and strip mine the place. Things are not going well on the negotiation front.

Naturally, the corporation (since they are all evil) isn’t happy with only limited access to the material they want so they recruit Jake to act as sort of a spy among the Na’vi, getting the military/industrial honchos enough intel to be able to go in and take what they want. Initially, more than happy to go along with all this Jake slowly begins to identify with the natives more so than with those who have brought him to Pandora in the first place.

If you expect anything new, outside of the visuals (which are stunning), I think you are going to be disappointed. The story is pretty predictable from the very, first time you see the corporation’s rep (Giovanni Ribisi) and the gung-ho Marine colonel (Stephen Lang). Saying both fit the stereotype of their characters is speaking the obvious. You know that they are going to push things to the extreme and make life difficult for anyone with whom the viewer has sympathy. Cameron makes his points and does so with a heavy hand, but because he does it so well and brings the world of Pandora to life we forgive him. Other reviewers (pro & con) have talked about the what each side represents and for whom we should be rooting . You all know me well enough to know how I feel about all of this, so we won’t go there.

All the actors do nice jobs, making you either like or dislike them. I cannot tell you how much I recommend this movie. If you are at all interested in this type of film or just to see what everybody is talking about you have to see it and in the theatre. I can’t speak for the IMAX version, but seeing it in 3-D on a big screen is the only way to view this. I don’t care what kind of HDTV you might have set up, there is no way you can truly experience the movie on DVD or Blu-Ray, although I’m sure sales on those will be through the roof!

I was going to also talk about my reaction to the last three David Tenant episodes of DOCTOR WHO, but that can wait. I’ve gone on longer than I had planned already. I’ll try and get to the good Doctor in the next couple of days. Brilliant, kind of sums it up though!

Four-Color Fiend: IMAGE UNITED #1 (a spoiler or two)

Truly this is less about reviewing this particular comic than it is about my feelings about Image, some of its creators and my interaction with some of them.

Set the Way-Back Machine for San Diego, July of 1976, Sherman. The place the El Cortez Hotel where the San Diego Comic-con is being held. A twenty-five year old sailor is walking around at only the third convention he has ever attended. His second SDCC. There is a guy at a small table offering to draw super-heroes for a dollar. At the time the sailor’s favorite is Deathlok/Luther Manning (the original), so he asks the artist to draw him. The artist, a Jim Valentino, doesn’t remember on which side Deathlok’s face has a metal covering so after buying a VG copy of Astonishing Tales #25, the sailor (let’s call him Steve) returns and gets his sketch. He still owns it!

About twelve years later, Valentino (he no longer signs his first name to his work) is working for Marvel Animation and gives me, and my then wife, a tour. Year or two later, Valentino is writing & drawing GUARDIANS OF THE GALAXY for Marvel. While there he is having some trouble with the then current editorial climate, meets some fellow artists, also unhappy and they decide they want to make a change. In 1992, Valentino and six other artists form Image Comics and begin publishing creator-owned titles.

That year I was working as a volunteer at the SDCC. I was helping out at a special event for the new Image Comics, taking tickets from the con-goers who were lucky enough to get them. Just before the doors open Rob Liefeld, Todd McFarlane and a couple of other Image folks ask me to let them take the tickets, giving the fans a surprise and a thrill. It actually helped to turn around my opinion about a couple of these guys, which was not 100% positive.

Next year (1993), at the first (and only) Philadelphia ComicFest, Todd McFarlane debated Peter David about artists vs. writers in comics and some of the Image practices. McFarlane and Erik Larson demonstrate they are both a**holes to a high degree, no matter what you may think of them as creators.

Let's flash forward to now:
Robert Kirkman, especially his work on his WALKING DEAD series, is among my favorite writers. Todd McFarlane is still an a**hole, but I can’t deny that I have read his SPAWN in the past and enjoyed it. I’ve enjoyed, but remain a bit confused by their new HAUNT series, which deals with two brothers who find they can merge into a brutal creature called Haunt.

IMAGE UNITED (IU) has been promoted for the past year and the idea of six of the original founders of Image working together does seem pretty cool. The Image Universe really has never merged in the way that the DC & Marvel Universes have. Of course, when you have six (originally seven) creators working in different styles and with different ideas of storytelling it would be all but impossible. Give them credit for trying for six issues, at least, to do that very thing.

The idea is good, but the execution (in the initial issue) doesn’t quite measure up. Like I said before, Kirkman is a good writer, however if the reader isn’t already familiar with the characters created by the six artists involved (Todd McFarlane, Jim Valentino, Rob Liefeld, Erik Larson, Marc Silvestri & Whilce Portacio) he/she is going to be pretty lost. While I give credit to Kirkman for having many of the characters call each other by name a glossary or something of the sort would really have been helpful. Also, a character called Fortress (whom I believe was created for this series by Portacio) narrates the story and appears to be almost as clueless as the reader. It doesn’t help! It seems that Fortress has been having visions of a ‘future’ in which all the superheroes must unite to fight an unknown foe. This villain is revealed at the end of the book and turns out to be one of the original Image heroes, now turned evil. I think his name is Monarch, but I could be wrong. (Sorry, could not resist!)

One of the draws (pardon the expression) of the series is that the characters will be drawn by their respective creators (McFarlane doing Spawn, Larson doing Savage Dragon, etc.) over layouts by Rob Liefeld. It’s interesting but makes things a bit strange looking, as the styles, shading, etc of each artist doesn’t allow you to really see the page as a whole, if you know what I mean. Like doing a comic book using characters cut out from different books and pasting them onto a background by yet another artist. I did something along those lines when I was in my early teens, sometimes tracing, sometimes cutting up comics to produce a piece with a Curt Swan SUPERMAN standing next to a Nick Cardy AQUAMAN. You get the idea, I’m sure.

Curiously, in the back of #1, there are a few pages of HAUNT (by Kirkman & McFarlane) that not only make more sense than the rest of the book, but explain things the first two issues of Haunt’s own title hasn’t gotten around to yet. It doesn’t say so, but I’m hoping for folks not reading IU that those pages appear in HAUNT #3.

I’m going to be honest and say that I don’t know if I’m going to stick around for the entire six issues of IU. It really depends on what happens in the second issue. I’ve read worse comics and with art not half as good, but at the price it might not be worth it. Also, do we really think this entire thing is going to come out on time?

Ian McKellen - Popeye the Sailor Man

Just because this guy is brilliant!

Four-Color Fiend: some disappointments and some surprises

Okay, I was on the fence on whether or not I was going to be dropping JUSTICE SOCIETY OF AMERICA (DC), but a couple of things happened in the last couple of months that made the decision much easier. (There are some SPOILERS in the rant & review below, so I apologize and warn you off.)

First was the introduction of MAGOG as a regular member of the group. Originally created by Alex Ross & Mark Waid for their 'alternate Earth' KINGDOM COME mini-series, the character was brought back (for no good reason, IMHO) in the issues of JSA that featured the SUPERMAN of that world. Hoping that would be the end of him, when that story arc wrapped up, imagine how thrilled I was to find he was not only remaining in the JSA, but also getting his own title and then showing up in the pages of the newly launched THE SHIELD. Why DC has decided that this is a character they want to push completely baffles me. He's unlikable and, face it, not the best designed character I have seen in a while. While Waid & Ross may have been trying to make a point with his rather devil-like appearance, does the costume really scream out 'HERO' to you?

As if that wasn't bad enough, it was something I could have ignored, since Magog will be part of a splinter group departing from the main JSA cast. However, the folks at DC editorial decided they would get a few more bucks out of my pocket each month with the six-issue JSA vs KOBRA mini-series. Writer Eric Trautmann (with whom I don't believe I'm familiar, so excuse me if I'm off base) has the current JSA discover that the new Kobra leader (Jason Burr, brother of the deceased former leader) is recruiting new members and sending them on suicidal missions. In the first issue, you already lose track of the number of Kobra members and innocent by-standers that get killed. With each issue the body count mounts, the JSA seems to win, but always too late and Burr keeps escaping. After hundreds (if not thousands)have been killed the series ends with Burr free and bringing more innocents into his 'religion'. All of them with the potential to become human bombs at his command. Well, wasn't that six months worth of crap? Did I really expect the JSA, lead by Mister Terrific to become victorious? Did I really think they would capture (even for a short-period of time) Burr and bring some solace to the families of the slain? What a sap I was!! Thanks DC! Good luck with both the JSA books and Magog's own title. I'm sure some folks will be buying them.

HAUNT from Image, was co-created by Robert Kirkman and Todd McFarlane. Haven't been the biggest McFarlane fan for a number of years, but Kirkman's WALKING DEAD is currently my favorite comic. I'm also a sucker for his work on MARVEL ZOMBIES, so when I saw that he was the writer on this I decided to give it a try. Brothers Daniel and Kurt Kilgore (can you get a more obvious "things are going to get brutal" name than that?) do not get along. Daniel is a priest (one who uses prostitutes, but a priest nonetheless), while brother Kurt is a Black-Ops agent who goes to Daniel to confess his sins. Things turn bad when Kurt is killed by people looking for a particular notebook. In the apartment of Kurt's widow, Daniel is confronted by the spirit of his brother, just before two men (seemingly from the same group that killed Kurt) break in. When the men open fire on Daniel the brothers somehow merge into the being that will eventually be known as Haunt, I guess. This new creature has no problem beheading the gunmen and there the first issue ends. Whew!

I've already added HAUNT to my pull list at Nuclear Comics, so I'll be picking up at least the first half-dozen issues. I'm curious enough and have enough faith in Kirkman to see where this will go. My one problem is that Todd McFarlane is pretty well known for losing interest in something and moving on to the next thing. I really wonder if the two of them will be able to maintain a monthly schedule, or if Todd will be handing over all the art chores to Greg Capullo and Ryan Ottley, who assist him in the first issue. Of course, Kirkman and not the Toddster are my main reason for picking up the book to begin with, so his leaving wouldn't cause me many problems. We'll see what happens.

Finally, as I talk about over at PARTING SHOTS I'm going on a cruise for the next couple of weeks with Donna. We'll be sailing from Miami through the Panama Canal and into San Diego. If you want you can check out my Facebook page, where I may be posting at least a few words now and then. I'll get back to blogging sometime after I return on December 6th.

Happy Thanksgiving & Happy Trails, until next time!

Detectives, Batman & Doc Savage - Reading Comics & Old Time Radio

Instead of posting two separate entries I figured that I would combine two shorter pieces.

I had meant to write about a recent OTR (Old Time Radio, for those unfamiliar with the term) set to which I had been listening, but got sidelined with some other things. Naturally, I misplaced the written notes so will have to go from memory.

NostalgiaTown.com has produced a series of OTR sets consisting of several episodes of various programs under a theme. These include westerns, comedies, espionage and detectives, along with sets with multiple episodes of particular series. If you enjoy OTR as much as I do, you should check out their site (the link is included just above). The one I just finished was Old Time Radio Shows – Detectives (20-CD). Among them are NERO WOLFE (starring Sidney Greenstreet); RICHARD DIAMOND (Dick Powell); PAT NOVAK FOR HIRE & JEFF REGAN INVESTIGATOR (Jack Webb) and LET GEORGE DO IT (with Bob Bailey). This last one was new to me, having heard at least a couple of episodes of the nine other programs. Bailey plays a freelance detective whose classified ad brings him an assortment of unusual and generally deadly cases. As with Webb always making me think of his Sgt. Friday character whenever I hear him, Bailey is immediately identified in my mind with YOURS TRULY, JOHNNY DOLLAR. Bailey's Johnny Dollar was the only OTR program of which I have a strong memory. The program was broadcast on Sunday evening and when we would visit my grandmother, my dad would let me go sit in the car and listen to the show while the rest of the family began clearing up from the meal. I felt pretty grown up being given the keys to the car and trusted to start it up so I could play the radio. Bailey's voice is the one that comes to mind whenever I think about those shows.

BATMAN/DOC SAVAGE SPECIAL #1 is a one-shot from DC that acts as prelude to THE FIRST WAVE mini-series that begins in March 2010. Having gotten the rights to Doc Savage & The Avenger, DC has given them over to Brian Azzarello to play with. At the back of the book, Azzarello talks briefly about the series, along with character sketches by Rags Morales, who will be doing art on the series. Along with Doc, First Wave will also bring in a new generation of BLACKHAWKS, a new BLACK CANARY and a different RIMA THE JUNGLE GIRL. Add to this THE SPIRIT, who in this world is accompanied by a female Ebony White. Sounds pretty interesting, doesn't it?

The special brings together only the two major characters, but does drop some hints about an organization called the Golden Tree that will play a central part in the mini-series. Since there was no Golden Age Batman in current continuity, it doesn't seem clear if this is an alternate Earth introduced in 52 or something completely new. It is a strange place where airships co-exist with television and cellphones. Bruce mentions in some internal dialogue talking to someone 'during the war', but it is not clear which war this might have been. My initial reaction was that this might be the Batman we saw in JSA: LIBERTY FILES, but that was a more experienced and brutal Bats than we see here. Looks like a whole new Earth that will mix together new and different versions of some old favorites. I'm already going to tell Kenny at Nuclear Comics to add it to my list when he orders.

Shel Dorf: R.I.P.

If you go to Mark Evanier's website you'll find a nice tribute to Shel Dorf. Shel passed away today, from a long illness. He's probably best known to comic geeks as one of the people who started the San Diego Comic-con. Comicstrip fans, on the other hand, may know that he was the letterer on the STEVE CANYON strip for over a decade. I wanted to pay tribute and this was the closest I could come. I loved the Steve Canyon strip and enjoyed the short-lived TV series which was based on the character.

I got nothin'!

Reading the same comics....watching the same shows...thanks for tuning in!

Remote Viewing - LOST TAPES on Animal Planet

Since the ALCS was only mildly interesting last night...cough.... I was surfing the cable stations for something before the shows we normally watch were on. Just out of curiosity I decided to check out Animal Planet where I found they had some show called LOST TAPES, of which I was unfamiliar. Whoa! Not what I had expected on AP at all!

I guess I thought the show was about material from animal/wildlife documentaries which had been unseen for some reason. What I discovered was that the program's premise is that there are actual creatures of legend roaming about (vampires, werewolves, etc.) of which video and film footage exists. The footage has been repressed by the 'authorities' to prevent panic. The two episodes I watched last night dealt with the hunt for a 'serial killer' who turned out to be a werewolf and the discovery of a vampire leaving in a home just purchased by a family. The 'tapes' of the events are intercut with interviews with the people involved and "experts" on cryptozoology and paranormal creatures.

The show has a website (link above), where you read more about the show, watch entire episodes and discuss them with other viewers/fans. Since I just found both the site and show I haven't had much of a chance to do more than skim a bit, but it does look like a lot of fun.

Major disclaimer: I do not believe in the existence of any of these creatures. I do not believe in the paranormal. I certainly don't 'buy' some of the things that folks report and discuss in the forums, since a few really do believe in some of 'urban legends' and creatures in the series. I love being scared and love monsters. I take everything in the series with several tablespoons of salt, but can still enjoy it for what it is. Much like I am interested in seeing the movie "Paranormal Activity" but certainly don't believe that that film is anymore than a well-done independent film with special effects.

Four-Color Fiend: Why am I still reading?

Just a quick peek at some of the comics I’m reading.

Walking Dead (Image Comics) by co-creator/writer Robert Kirkman & current artist Charlie Adlard continues to be among my Top Five comics. I’ve talked about the book before, so if you’ve heard all this skip forward.

Kirkman’s characters are the reason to read this book (not to slight Adlard’s art which perfectly fits the series). Forced into a situation by a plague which reanimates the dead, a group of survivors have to do whatever they can to survive. In the past five issues (#61-66), the “Fear the Hunters” storyline, former police-officer Rick Grimes and the others confront something just as ‘evil’ and perhaps much more dangerous than zombies. Not going to give it away, should you be picking up the book in TPB, but the changes in society may have reached a point where the morals we once lived by no longer suffice. I recommend you pick up the first TPB or better yet the first ‘omnibus’ edition of the series and give it a try. Ignore the zombies and just follow the interaction of the characters. It will be worth it!

Justice Society of America (DC Comics) has reached a point where I just don’t care anymore. I started picking up the book during the whole Final Crisis saga, have been reading it and mostly enjoying it through the “Kingdom Come” Superman/Gog storyline. I now find that I’m reading the book more out of habit than for the enjoyment the book used to bring. I still like some of the characters (especially Michael Holt, the new Mr. Terrific), but not enough to keep buying the book. It was announced back at SDCC, I believe, that the book is actually going to have a spin-off, with part of the team going off with Magog (is there a worse “new” character currently being pushed by DC?) with the rest staying put. Frankly, I haven’t cared enough to actually research which members are going and which staying. Anybody want some back issues...cheap? I may keep the JSA vs. Kobra mini, since Michael plays such a central part.

Just as I’m dropping JSA, it seems that Justice League of America is going to get more interesting. The recent story arc featuring the Royal Flush(ed down the toilet) gang and third string villains Amos Fortune & Roulette was pretty much of a waste of time & effort. Frankly, I really can’t even pretend to care about the mostly second-string characters currently in the JLA. It is primarily the knowledge (from SDCC again) that James Robinson will be picking up the writing chores that keep me buying the book. I don’t want to miss out on any hints of what is to come.

Speaking of Robinson, I really want to recommend his current Justice League: Cry for Justice mini. The story features Hal Jordan (from some period before Blackest Night, I’m guessing), Ray Palmer, Congorilla and several other characters who may or may not make up the newly reformed JLA when Robinson takes over that team’s book. In this incarnation Congorilla (the one time “great white hunter” Congo Bill) reminds me a great deal of Cliff (Robotman) Steele at his best wise-cracking best. Hey, between this particular golden gorilla and Kenneth (Gorilla-Man) Hale in Marvel’s Agents of Atlas I’m getting my fill of talking gorillas. As a child of the Silver Age DC comics, I could not be happier! Team-up!!!

Next time some Old Time Radio!

Popcorn For One: ZOMBIELAND (perhaps some SPOILER)

I'm going to start right out by giving my ratings and then my review: The first half of this movie gets *** 1/2 Stars and the second half *** stars. Not a perfect film, but certainly as good as I hoped and better than I would have expected.

ZOMBIELAND, if you haven't seen all the ads, takes place in a post-apocalyptic America where a plague (never really explained) has wiped out almost everyone. When the film starts it has obviously been several months since the plague hit and we eventually meet four 'normal' folks who have thus far survived. 'Columbus' (played by Jessie Eisenberg) is a videogame playing nerd, who is trying to get to Ohio to find if his parents have survived. He has gotten by so far by creating a "list of rules" that he follows, many of which we get to see as the 'rule' actually appears on the screen during the action. It is Columbus who narrates the film and it is through his neurotic eyes that we see the other survivors, "Tallahasse" (Woody Harrelson in his best role since NATURAL BORN KILLERS) who seemingly mourns only the death of his puppy; and two sisters "Wichita" (Emma Stone) and "Little Rock" (Abigail Breslin) who were together and without supervision (not explained) prior to the plague.

While Tallahasse's only goal is to find the last box of Twinkies, the girls seek an amusement park they visited in California as children in the idealistic belief (which it is apparent Wichita doesn't really believe) that there are no zombies there. The first half of the film introduces the characters, give some background and eventually has them teaming up for the great road-trip across Zombieland, which is what Columbus has come to call what is left of the U.S. In many ways this is the strongest and most fun part of the film, until the predictable final confrontation at the park. As much as I loved the movie, and would gladly see it again, there are some scenes that take place in the Hollywood home of a celebrity that all but stop the film dead in it's tracks (perhaps appropriate in a movie about the undead). I know we are expected to care and things lead up to this moment, but the scene goes on way too long in my book. Thankfully the appearance of the mansion's owner (a well-known star who I won't give away as many have)turns the film back into the delight that it was in earlier reels.

Two warnings: Many of the most shocking and gory scenes in the film, as well as some of the funniest, appear during the opening credits. If the blood & guts there don't bother you you won't have a problem with what is to come. What a is worse than a puking zombie? One puking directly into the cameralense. Oh, yeah! Secondly, stick it out through the end credits, for a cute bit featuring that 'guest star'.

As usual, there were over half a dozen trailers before the film and this time around the some choices fit with the main feature. Quickly:
1) A Nightmare on Elm St. - why? The trailer shows scenes we have seen in the original and it's sequels. Skip
2) Shutter Island - a creepy, scary tale from Martin Scorsese with Leonardo DeCaprio? I'm am so there!
3) Saw 23 - okay maybe only VI, but haven't we lived through Jigsaw's games way too often already? *yawn* skip
4) 2012 - okay, the trailers looks awesome and living in California there's nothing better than watching the entire state being destroyed. I like John Cusack and Woody Harrelson is also in this one. I'd be tempted to see this one with Kristina, since she is always asking me if I believe in the Mayan prophecy. I might see this.
5) A Christmas Carol - not a huge Jim Carey fan, but I so love this book that I can give just about any version at least a try. Very probably!
6) Amelia - Hilary Swank as Amelia Earhart. Donna wants to see this one, and she doesn't want to see very much! :-)

Ian McKellen - Saved by the Bell

Remote Viewing: Is anything on?

Caught the two-hour season premiere of THE AMAZING RACE last night. As usual, we root against any lawyers, yoga instructors or models (in this case professional poker players who lie about who they are). Frankly, we tend to root FOR what we consider 'normal' folks, or at least people who seem like able. Sadly, there seem to be fewer of them and more of the former each season. Of this season's teams Gary & Matt the father/son farmers, friends Zev (who suffers from Asperger's Syndrome) & Justin, gay brothers Sam & Dan and, believe it or not, Herbert & Nathanial the Harlem Globetrotters teammates are the duos we are favoring after the first two episodes. Sometimes during a season a team or one member of that duo will reveal themselves to be total a**holes, so we may change our minds at any moment. Sad, that our lives have come to this and Bingo, huh?

The new Fall Season used to be a much bigger deal, but despite the network hype it just doesn't mean the same as it once did. I think part of it has to do with most folks around the country turning more and more to cable with hundreds of alternatives to the Big Four, plus the fact that everybody knows that some shows will be pulled after only a couple of episodes anyway so why not wait for a bit. It also seems that those shows that turned up as mid-season replacements for the previous season's losers often have an already built-in audience.

I may have mentioned this before (maybe only on Twitter or Facebook) but can somebody tell me why Jenna Elfman has yet another television series? I realize that for some reason that I'll never understand, her show DHARMA & GREG was a hit, but she already bombed last season and the promos for the new show seem to show her as just as unlikable as she was in the previous one. Wasn't the point of the Dharma character was that she was kind of a lovable airhead or something? I guess CBS is hoping that putting her on Mondays, with all the hit shows might give her holdover viewers. Does that type of thing still work with so many folks having TIVO or other DVRs hooked up?

Recently, Donna and I have taken to falling asleep in our recliners during Letterman and waking up at some point when Craig Ferguson comes on. I have to admit that when Ferguson was first announced as the hosting a show after Dave I was sceptical. I mean I thought the guy was funny as Drew Carey's overbearing boss, but wasn't really familiar with him outside that show. Now that I have had a chance to watch him, especially his opening monologues I have become a fan. As Mark Evanier has said on his site, the show has a low-budget feel, but Ferguson and his crew do a great job with what they have. Best of all, unlike Conan, who always seemed to me to think of himself as slumming, Ferguson really seems to be enjoying himself. Set the DVR and check him out!

Raiders of the Lost Ark (1951) Trailer

Is this not major cool?

Solid Potato Salad - The Ross Sisters (1944)

I'm thanking Mark Evanier for bringing this to my attention. I wanted to share it.

If these gals have any granddaughters they might want to get an act together and hit America's Got Talent!

NEXT TOP PENIS MODEL?!! 2009 EMMY SHOCKERS! - KRISTIN CHENOWTH WINS! DR HORRIBLE! SUPER SMIZE!

I love Watching Buck! It probably says too much about me, but he's just funny. Plus he covers all these strange reality shows that I never watch.

Remote viewing: what I've been watching

No surprise, I guess, that Kevin Skinner (former chicken wrangler) won "America's Got Talent" this season. After the surprise win last year of an opera singer, it looks like it was time for a country/western style performer to take top prize. I did think the toughest competition would be Barbara Padilla, but two operatic singers in a row would have been too much. Personally, I think ventriloquist Terry Fator remains the best performer the show has produced. He's amazing and with or without his puppets he's a good singer. Donna and I agree that we'd love to catch him in Vegas our next trip.

Top Chef was also pretty good last night. It did look like a tough task, cooking at a campsite with limited equipment, over firepits. Still, what a group of whiners some of them were! I keep waiting for brothers Michael & Brian to actually start fighting. I love the looks on their faces when the other wins! I'm still rooting for Kevin! You know me so you know I was happy to see the French guy asked to pack his knives and get deported...um, leave.

It's bad enough reading a couple of books at a time as I usually do (not counting comics, of course). This time around, including the audiobook version of "Last Town on Earth" by Thomas Mullen, I'm in the middle of four books. One is the next Joe Bob Briggs review item, Christopher Hitchens' "God Is Not Great" and Stephen King's "Wolves of the Calla" (the fifth book in his Dark Tower series). Some people ask me how I can do it, but it's just something I've always been able to do. Maybe it does have to do with my reading comics, since you have to remember characters and situations from one issue to another, but I really don't have a problem getting into each book immediately. Because of it's size I'm reading the King book at home, the Joe Bob books I generally keep in the car and read at lunch or in the morning if I'm early, while the Hitchens book I keep at work. Since it is non-fiction it's easy enough to read a few pages during quiet times on the Reference Desk. Anybody else able to juggle a few books at a time?

Review: Causes Unknown by Leslie Horvitz

One of the last Joe Bob Briggs' reviews, unless the good folks there send along some more books. To be honest, I had all but given up hope of ever seeing any more in print, but I have been told that the site will begin posting 'new' reviews shortly.

Just for those who may be interested, here's the new one from me.
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Causes Unknown by Leslie Horvitz
Published by: Leisure Books
ISBN: 0843957956

Michael Friedlander doesn’t believe that his brother Alex killed himself. They had not been close for the past few years, but had remained in touch. While Alex was making money on Wall Street, Michael found himself moving from job to job and city to city. Once a medical student, a possible frame up destroyed his medical career and pushed him out of New York City. Now, while waiting to sell his brother’s condo and clearing away his belongings Michael becomes more and more convinced that things are not as cut and dry as the police and the Medical Examiner would have the family believe. Meanwhile, a possible serial killer called The Chopper by the press is leaving a trail of body parts and dismembered corpses around Manhattan. Money is changing hands and there is an obvious cover-up that may tie The Chopper to the death of Michael’s brother. As he begins to investigate his brother’s business dealings several other deaths occur and Michael himself may be in danger.

Originally published in 1989, the book doesn’t seem that dated. Horvitz’s New York skyline is still dominated by the World Trade Center and the stockbrokers and cops are not pulling cell phones out to keep in touch. Still the story captures a time before 9/11, Iraq and the financial breakdown of the past few years. I lived in the city back then and the author captures the spirit of a particular period perfectly.

While we follow Michael we also get into the minds of several other characters, including that of the killer. Horvitz has created a totally creepy, if pretty realistic, sociopath in The Chopper. Convinced that his victims are ‘asking for it’ and able to assume the identity of just the right person to attract those he intends to kill. Aided by a part-time medical examiner’s investigator, who has found she has been used, and a former-cop turned private investigator, Michael tries to uncover the conspiracy which led to his brother’s death, while trying to keep himself and his allies from falling victim.

Horvitz creates some interesting characters, both good & bad, but none without their flaws, and throws in some surprises along the way. Good casual reading for those in the mood.

Three stars

Mr. Sardonicus Trailer

This movie totally freaked me out as a kid. I had nightmares for weeks after and I don't think I watched it again for a decade or so. It still creeped me out!

Of course, I tend to watch horror movies with my hand over my mouth and not my eyes. Who knows why?